Cuts from your own footage
The agent works from the material you uploaded and assembles a cut out of it. Nothing is generated in its place.
Give Stitch the footage. Get back the cut.
Upload what you shot and write a one-line brief. Stitch watches it, writes a cut, and hands back vertical clips with captions, graphics and music, on a real timeline you can still change.
18 min median brief to first cut
28:1 footage in to cut out
0 timelines scrubbed
How it cuts
Three steps, and the third one is the clips.
The app's own flow, start to finish. There is no storyboard stage, no template to fill in, and nothing to trim before you begin.
01
Assets
Upload the raw material, long takes, b-roll, stills. Whatever you shot, in the state you shot it.
02
Brief
Say what the clips are for in a sentence or two, then pick your aspect ratios and how many variations you want back.
03
Clips
The agent watches the footage, writes the cut and renders it. Every clip arrives with the editor's notes on what it cut, and why.
What you get
Finished clips, not a rough assembly.
Captions, graphics, music and sound are placed against the cut before you ever see it, and every one of them stays editable afterwards.
Captions, word by word
Word-level timing and styling, so the captions land with the speech rather than sitting on top of it.
Graphics, music and sound
Titles, stickers and a music bed, plus a library of 41 sound effects cut against the edit.
Your brand, not a template
Load your fonts, colours and logo into the brand kit once, and every clip comes back on-brand.
A real timeline
Trim, swap b-roll, retime graphics and edit captions on a multi-lane timeline. It's an editor, not a preview.
Revisions in plain language
Ask for the change the way you'd ask an editor, "lose the intro, keep the last line", and get a new version back.
One filled Thread element
One thing on every screen is the thing to do next. Stitch never asks you to choose between four buttons.
The only motion is the cut
Nothing on this page moves except a cut being made. No carousels, no counters, nothing sliding in as you scroll.
Footage, not photography
Every image here is a frame from a real cut, with its timecode on it. No stock photography, no laptops on desks.
Pricing
Two plans.
Every plan includes the whole product, the agent, the timeline editor, captions, graphics, sound and the brand kit. The difference is how many workspaces you run, how much you render, and how many of you are working on it.
Starter
A$50
/ month
For one person or a small team getting going.
- 1 workspace
- 60 render minutes a month
- 5 seats
- 5 GB of asset storage
Pro
A$150
/ month
For teams shipping clips every week.
- Up to 10 workspaces
- 120 render minutes a month, per workspace
- Unlimited seats
- 100 GB of asset storage
Prices are in Australian dollars, per month. One subscription covers your whole account, Starter runs one workspace, Pro up to ten. Render minutes are counted per workspace and reset each month; seats are how many people can work in a workspace.
Bring the footage. Stitch does the cut.
Upload what you shot, write two lines about it, and see what comes back.